Morgan Sinton-Hewitt

Embodiment, Dance and Movement

 

 Embodiment; how I come to be embodied and through my being, co-create with(in) the world to form part of the changing interconnected realities that sustain us.  Herein movement forms profound expression, action and language, intimate ways of being and knowing within myself and relationally.

 

I explores embodiment as ontology and epistemology for/within my art making practice and as a way to inform my socially engaged educational work. Constant human revolution.

 

These works range from 2002 and include a variety of media, processes, collaborations. See also my ongoing research and development process – light and materiality for a further exploration of embodiment through phenomenal co-becoming 

 

 

“Fatticoat’ (2002)

Mod roc, wire, plastic and margarine

 


 

exploration continues through painting, drawing, movement, photography, sculpture and writing.

 


Being Hurd – Movement based exploration of Memory with performance at Roehampton University – I participated un Mike Turner Lee’s Undergraduate Dance thesis. I made a series of drawings throughout the research and performance phases (2017)

An open conclusion

Dialogue in movement with Dr Maria Rova as part of my supervision process in my own undergraduate research journey (2015)

|MU| – Exploring Kinaesthetic Empathy, Roehampton University (June 2014) Collaborative art-photography-dance project with Dr Marina Rova as part of her interdisciplinary PhD programme. This painting is the culmination of a series of work I made whilst engaging within Marina’s Dance and Movement research workshops.

MU (2014)